Gold Note Mediterraneo Review – Italian stallion
Forget Michelangelo, Raphael and Donatello, when it comes to the Renaissance Gold Note is a modern master. HFC takes its flagship turntable for a spin. Read our Gold Note Mediterraneo Review.
While we’d be the last to lower ourselves to using lazy national stereotypes, when it comes to Italian manufacturer Gold Note, it’s pretty much impossible to do anything else. Effortlessly stylish, elegant in use, beautifully designed, a strong sense of its own history… you get the idea. But while on the one hand the Florence-based specialist freely admits the part that the Renaissance plays in its designs, it’s equally comfortable mixing tradition with contemporary innovation. Take the Mediterraneo. As the flagship offering from the company’s five-strong turntable range it’s sleek looking, superbly crafted and exudes precisely the sort of good looks the country is known for.
The Mediterraneo’s platter is 45mm thick and produced from a Delrin/ POM-type polymer that Gold Note calls Sustarin to dampen unwanted vibrations. A good-quality felt mat is provided, while minor vinyl warps can be gently teased out thanks to the inclusion of an unthreaded but heavy LP weight. The bearing comprises a hardened chrome steel spindle that rotates within a bronze sleeve and is supported on a 5mm tungsten ball-bearing on a brass seat.
The plinth comprises three layers, the base section being a 60mm-deep, curvaceous laminate of Italian walnut, selected according to the manufacturer for its elasticity, strength and high density. A 3mm- thick steel plate is placed on top of this, designed both to lower the deck’s structural resonance and add extra reinforcement. Finally, this is capped by a 20mm-deep slab of polished black acrylic, which can be a magnet for dust and fingerprints.
DETAILS
PRODUCT Gold Note Mediterraneo
ORIGIN Italy
TYPE Belt-drive turntable
WEIGHT 25kg
DIMENSIONS (WxHxD) 470 x 210 x 360mm
FEATURES
• 33 & 45rpm
• B-5.1 tonearm
• PST-1 PSU
DISTRIBUTOR Audio Pinnacle
TELEPHONE 01420 544140
WEBSITE goldnote.it
Drive is delivered to the platter’s periphery via a belt from the high-torque 12V AC synchronous motor, which is powered by Gold Note’s compact PST-1 off-board supply. An optional upgrade route presents itself in the shape of the dedicated PST-10 turntable power supply, which includes no more than four transformers, one of which is used as part of a choke filter, and comes complete with a silver umbilical that connects to the turntable. It is available in black, silver or gold finishes.
On the front left of the acrylic top plate are two low-profile silver buttons for selecting 33 and 45rpm speeds, while a further sequence of button presses allows the user to fine-tune the rotational speed.
The supplied 9in B-5.1 tonearm is entirely handmade in Italy. The
IN SIGHT
1 Counterweight
2 Anti-skate wire and bullet counterweight
3 Record weight
4 45mm-thick Sustarin platter
The standard B-5.1 arm can be upgraded to the B-7 Ceramic
armtube and bearing housing are all machined from aluminium, the latter incorporating four high-precision steel bearings made in Germany by GRW Again, the B-7 Ceramic – which has ceramic ball bearings – offers another possible upgrade path.
Setup is straightforward and fuss free – there’s no suspended subchassis to wrestle with – and it’s also easy to operate. The steel counterweight can accommodate cartridges with a mass up to 15g, while bias compensation is effected by the usual thread and weight system and easily adjusted by moving the nylon thread along a horizontal scale located at the back of the arm.
As well as the walnut plinth of our review sample, the Mediterraneo is available in black lacquered MDF, white and as a truly ostentatious alternative coated in an exquisitely textured 24k gold foil. It doesn’t come with a cartridge so the EAT Jo No5 pick-up is employed, feeding a PS Audio Stellar phono stage and Naim NAC82/NAP250 amps driving ATC’s SCM40 loudspeaker.
Sound quality
From the start it becomes immediately apparent that the Mediterraneo’s calling card is rock-solid stability. That’s not to suggest it’s by any means neutral in its presentation, because it’s not, instead painting a sonic picture that is deeply appealing and draws you into its own vision of the world.
Spinning up Deacon Blue’s When The World Knows Your Name, the train-beat snare rhythm that opens Queen Of The New Year reveals the deck’s delivery to be warm but powerful, even if the strike of the sticks lacks the sheer staccato attack and impact heard via the very best turntables. Meanwhile, the bass guitar is appropriately plump and full while Ricky Ross’ vocals are conveyed with a wonderful sense of warmth and richness.
The stereo image is expansive, with the Gold Note setting up a wide and deep soundscape within which
The walnut plinth seen here is also available in black lacquered MDF and 24k gold foil
instruments are securely defined with a reach-out-and-touch-them presence. On The World Is Lit By Lightning, percussive effects and rim shots career around the room, drawing the ear right to the edges of the soundstage. You certainly wouldn’t describe it as incisive, but bathed in the Florentine glow of the Mediterraneo, the streets of Glasgow described on the album have never felt quite so warm and inviting.
The resident orchestra of Amsterdam’s Concertgebouw performing Beethoven’s Symphony No.6 under the baton of Bernard Haitink is a recording in which the string section enjoys exceptional sweetness. The Mediterraneo dutifully captures the delightful string tones during the
Bass guitar is plump and vocals are conveyed with warmth and richness
quieter sections, while the majestic swells possess a wonderful acoustic ambience without ever sounding
strident or harsh. This recording is notable for its lack of pinpoint imaging, but the orchestra sounds just as I would imagine it in the hall, ranged across a wide concert stage without undue spotlighting of individual instruments. Despite this, a little fine detail is lost to the warm euphony of the deck’s presentation.
Piano always presents a fine test of a turntable’s pitch stability and even with the standard PSU in use there is a sense of exemplary control and grip on Rachmaninoff’s Rhapsody On A Theme Of Paganini performed by the Chicago Symphony Orchestra. Switching from the standard PSU to the aforementioned PST-10 delivers no immediate benefit to speed stability, but does reveal a little more
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IN SIGHT
Describing itself as ‘a leading designer, developer and manufacturer of luxury high-end stereo systems’, Italian manufacturer Gold Note was founded in 2012 by current CEO Maurizio Aterini, his wife Elena Basciano and business partner Alessio Oronti. Based in Montespertoli, Tuscany, it first made its mark with the Bellagio Conquest turntable, a 1,250mm-high affair boasting a choice of no fewer than 13 different curved plinths and a 270mm-long platter spindle. This was followed in 2016 by the PH-10 phono stage, featuring two inputs, six EQ curves and a TFT colour display. Not a company to rest on its laurels, in the same year it launched a new flagship product in the shape of the XS-85 floorstanding loudspeaker, each cabinet standing 1.28m tall and housing five drivers.
Gold Note’s first integrated amplifier followed in 2018 in the shape of the IS-1000. It promised to bridge the gap between traditional standalone integrated amplifiers and all-in-one music systems, thanks to its ability to stream music over a home network. Then in 2019 came the DS-10 DAC/streamer/headphone amplifier and analogue preamp. Now with a 17-strong team, including four designers, the company builds all of its loudspeakers and electronics in-house, with most of the components sourced from local suppliers.
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detail in the recording. The sense of hammers hitting piano strings, the sheer mechanical force and impetus of the playing and the rich tonality of the stringed instruments in Variation 18 all reach a higher level with the PST-10 taking charge.
Dynamic light and shade improve too, so that gradations and accents in Rubinstein’s performance are conveyed with greater authority – from pianissimo to fortissimo.
Van Morrison’s Avalon Sunset also provides a perfect demonstration of the potential of Gold Note’s flagship turntable with its power supply upgrade. On opening track Wherever God Shines His Light Morrison’s vocals come across as more transparent, or less syrupy, while the punchy drum and percussion sounds are far more crisply delineated. The tympani playing softly in the background of Contacting My Angel is conveyed with wonderful warmth and solidity, while the electric and acoustic guitars enjoy fine clarity and dynamics.
Finally there’s the glorious brass section on I’d Love To Write Another Song… Bold, occasionally strident (precisely as brass should be) the fabulous exuberance of its interjections propel the song along with real swing, making for a glorious listening experience.
Conclusion
Gold Note’s Mediterraneo is a fine turntable that, unlike some at this price point, is a fit-and-forget vinyl solution. Its excellent build, elegant looks and sumptuous sound quality offer an appealing proposition, while the fact that there are options for getting more out of it with optional extras further down the line makes it all the more appealing
OUR VERDICT
HOW IT COMPARES
The VPI Prime offers a lot of turntable and not a little style for the money, especially considering its 3D-printed 10in tonearm is nearly half this price if purchased alone. From its alloy clamp right down to its funky feet, it’s clear that every aspect of the Prime has been honed for maximum performance and ease of use. And the sound? Gloriously expansive, deep and detailed!
Q&A
Maurizio Aterini
Gold Note founder and CEO
HFC: The Mediterraneo doesn’t come with a cartridge as standard, are there any recommendations that you feel partner it best?
MA: The Mediterraneo is capable of superb performance with a very wide range of top-flight cartridges. For obvious reasons, The Gold Note Tuscany Gold would be my personal recommendation. I have run my Koetsu Coralstone with great success as well as a van den Hul Colibri.
What advantages are there to the different tonearm options?
The B-7 Ceramic features high- precision ceramic ball-bearings custom manufactured in Germany by GRW. These are treated singularly and sealed to preserve their integrity and extreme precision, a crucial factor to enable noiseless functionality to let you enjoy every single nuance in your records. It also employs AWG36 Hyper Litz shielded 99.99 percent OFC wiring and six-section design to ensure absolute optimum performance with a wide range of cartridges. Like the B-5 it’s easy to use and setup is an absolute joy.
What benefits do you feel the PST-10 power supply offers over the PST-1?
The PST-10 can perfectly drive all Gold Note turntables – even the older generation ones – because it offers three selectable voltage options. Due to its design it is even able to improve the quality of the lower cost Valore 425. The PST-1 is supplied as standard with the Mediterraneo and Giglio (our two top models) and additionally our newer generation models released since Autumn 2017.
Is there a sonic reason behind the curvature of the plinth?
The design philosophy for Gold Note is the use of the Catenary Curve, first developed by Michelangelo. It features in all Gold Note products and you can find out more about it on our website.
